“She’s so soulful … I know she means every word she sings.” vocalist Sheila Jordan

“[listening to Diana sing] I got the same feeling the first time I heard singers like Sheila [Jordan], Lee Wiley (at the 1954 Newport Jazz Festival), Helen Merrill and Irene Kral”   Len Dobbin, Recipient of an Audio Visual Trust “Masterworks”  Award for radio

Diana Panton“Aesthetically wonderful.” saxophonist Dr. Yusef Lateef, Jazz in July

Whenever vocalist Diana Panton performs, she has a mesmerizing effect on her audience.  Be it at jazz festivals in Juan-les-Pins (France), Montreux (Switzerland), or a concert in her hometown of Hamilton, a quiet hush descends over the audience as listeners await “little masterpieces created before [their] very ears.” (Hugh Fraser, Hamilton Spectator)

Diana Panton is being heralded as one of Canada’s most promising jazz vocalists. Her aesthetic sense has attracted the attention of some of the jazz world’s most respected masters. When legendary Canadian multi-instrumentalist Don Thompson first heard Panton sing at age 19, he recommended she audition for the reputed jazz workshop at the Banff Center for the Arts (Canada). There, she studied under Norma Winstone (and in subsequent visits, Sheila Jordan and Jay Clayton).

While at Banff, she was invited to perform with Thompson at the famed ”Blue Room”.  “She really knocked me out that night, “ Thompson said.  “She was so young but she had a lot of depth and real feeling.  It surprised me right away.” Following that performance, Thompson told Panton to contact him when she was ready to record an album.  She did—some 10 years later! 

Before recording her first album, Panton first completed an honours masters degree in French literature and fulfilled a teaching engagement at the University of Paris (France), followed by a position as a sessional lecturer at McMaster University (Canada).  She then completed a teaching degree. During this time, she also produced and performed a number of sold-out concerts with emerging jazz prodigy, pianist David Braid.

When the time finally arrived to go into the studio, national award-winning guitarist Reg Schwager was invited to join Don Thompson for some stellar accompaniment behind Panton’s pure vocals. The late great Montreal jazz critic Len Dobbin called ...yesterday perhaps one of the finest debut CDs he had heard in years.  Diana was featured on the cover of Toronto's NOW and the album made the magazine's TOP 10 Discs of the Year.

Success continued with Hamilton Music Awards, Juno and National Jazz Awards nominations for her sophomore release, if the moon turns green - a thematic album about the moon and the stars.  Diana was also one of four jazz vocalists selected worldwide to showcase at the prestigious Jazz a Juan Revelations (Juan-les-Pins, France) where she was voted Premiere Dauphine by the Juan public.

Diana's third album, pink, is a narrative concept album about the twists and turns of new love.  It features superb accompaniment once again from Reg Schwager and Don Thompson along with a highlight appearance from Canada's premier horn player Guido Basso. The album was awarded a Silver Disc Award for Best Vocal Recording of 2010 by Japan's Jazz Critique Magazine, as well as a nomination for Favourite Jazz Artist at the 2010 Canadian Independent Music Awards.  The disc was a triple nominee at the 2010 Hamilton Music Awards winning Best Female Vocalist and Jazz Album of the Year.

Diana's latest release, to Brazil with love, is a tribute to the samba and bossa nova traditions of Brazil.  The album features the most adventurous instrumentation to date.  Maninho Costa and Silas Silva add Brazilian rhythms on drums and percussion, while Kiki Misumi on cello and Bill McBirnie on flute add colour and texture.  Don and Reg are still the mainstay of the trio and provide perfect accompaniment and soloing throughout.  "Music lovers with a special corner in their music library for their favourite albums will definitely count Diana Panton's fourth release among them."  Kazutomi Aoki, Japan's CD Journal